3 (out of 4)
Last year when Guy Ritchie bestowed upon us a telling of King Arthur by way of PS4 cutaways, it would have been reasonable to suggest the popular legend never again be put to film. In serious fashion 1981's Excalibur did as much honest justice as the story could be done and in parody Monty Python conceived comythic perfection nearly 45 years ago.
It would take a Brit who actually knew what they were doing to revitalize the wearied lore. Cue Joe Cornish – following his lively 2011 indie sci-fi debut Attack the Block and a co-writer credit on Ant-Man, The Kid Who Would Be King functions as mighty tyke-friendly entertainment easily servicing the interests of the average viewer. It's a properly scary children's fantasy film (Rebecca Ferguson is as terrifying as she is wickedly attractive) and a pointed commentary on Britain's current national tumult. Cornish ruminates Brexit's massive toll to unearth the present-day relevance of Britain's most perennial legend, Tolkien notwithstanding.
It may be about twenty minutes too long but after so many poor attempts to make better on tired tales, the sheer ambition of The Kid Who Would Be King is of such gusto it makes the laptop visual effects and proudly absurdist British tendencies of Attack the Block's neighborhood sci-fi look quaint in the process. If you were wondering what took Cornish eight years to churn out what amounts to a strong kid flick, the answer is quiet diligence. He appeals to whatever helpless innocence is left in all of us while fancying himself a populist moviegoing antidote, January release and weak box office receipts be damned.
To keep it brief...
Soon to Come:
so many briefings
The Absolute State
of /tv/: Film on 4chan