2 ½ (out of 4)
My god, how many of these are there? Even as Phase 3 reaches the ultimate culmination and climax of the Marvel Cinematic Universe as we barrels towards its Endgame, they’re still introducing characters? And it took 21 movies for their first solo heroine? And, despite the most pernicious online precedent to one film's release, Captain Marvel is actually decent?
Listen, there’s very little left to critique stylistically regarding the MCU as it comes and goes, which happens more frequently than ever. The action and humor relieve each other in quick succession; a few jokes hit, many fall flat. The structure, despite any side-agenda universe-building, is rooted in three traditional acts. Although you'd think grading Marvel movies on their own curve would bring about harsher appraisals, it actually leaves you far more lenient. Films like Infinity War, Civil War, and the original Avengers tickled me with satisfyingly scopic spectacle. The offbeat, individual entries of this epic miniseries – the best includes Doctor Strange, Ant-Man and of course Iron Man – need to please in the premise of their story and the personality of their protagonist.
Captain Marvel as both movie and character is sensibly showcased for the sake of the collective franchise. She's a spark of hope for anyone dumb enough to have thought the final moments of Infinity War were permanent and her film itself is a way to introduce fresh blood into the Marvel crowd before the main players (Cap, Thor, Tony) more than likely depart. It's hard to understand the genuinely dissatisfied naysayers and "true" fans acting like she's ruining the whole enterprise. The actors are strong (casting has always been Marvel's forte and Jude Law, Ben Mendelson and obviously Samuel L. Jackson don't disappoint), the story is architecturally fresh, self-contained and driven by nice twists and revelations. It’s all fairly routine at its core and even underwhelming in totality given what the MCU has offered before, yet it goes down as easy as many watchable Marvel flicks before it.
Despite not clocking in the same hours, Brie Larson is as talented as her seasoned co-stars with which she will soon share the universe. Carol/Vers' relationship with Jackson's long-returning and now de-aged Nick Fury is enjoyable indeed. Larson's backstage rants interfered none at all with my experience because all I see is the woman who moved me so in films like Short Term 12 and Room. Considering her character's ridiculously overblown invulnerability (a problem at large but not in context), she would have a chip on her soldier wouldn't she? However infested with trolls Rotten Tomatoes is, the reaction to her performance has been one of sickeningly undue scrutiny.
The sequences on Holla liken to old-fashioned sci-fi more than the majority of the Thor and Guardians films – the first act of Captain Marvel is like Star Trek fan’s wet dream. The visuals are as good as anything as modestly budgeted as Ant-Man. Themes on memory and identity keep things intriguing and emotional. The comedy bits aren’t too distracting and the soundtrack choices and 90s references, while wearing thin after awhile, don't come down in bombardment.
Given how long we've grown to know the Avengers, its hard to ignore the drawbacks to the film's placement in the greater whole of the saga. I love a movie largely free of future money-making ingredients but the introduction of her character into MCU is the most shoehorned aspect of a corporate universe which usually places its bets conservatively and congeals its characters smoothly. With only eight weeks prior to Endgame, Captain Marvel is in line with production quality and yet little more than an appeteaser and an afterthought.
To keep it brief...
Soon to Come:
so many briefings